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William James Austin (born December 4, 1949) is a New York City poet, writer, musician, visual artist, and academic. Austin received his PhD on fellowship from Tulane University in New Orleans, and is currently associate professor of English and philosophy, and artistic director of the Visiting Writers Program at SUNY, Farmingdale. He is the author of five collections of poetry, essays, and "photopo", plus a book length study of T.S. Eliot and Jacques Derrida. His visual art has been exhibited in the USA, Germany, and Mexico. ==Works== * 1 Underworld 2 (1994) * A Deconstruction of T. S. Eliot: The Fire and the Rose (1996) * 3 Underworld 4 (1998) * 5 Underworld 6 (2000) * 7 Underwor(l)d 8: Transtextual (2004) * 9 Underwor(l)d 0: Desolation Paradise (2006) William James Austin's poetry, fiction, theoretical essays, book reviews, letters and visual art have appeared or been exhibited in the ''Paterson Literary Review'', the ''American Book Review'', ''Blaze'', ''Louisiana Literature'', 'The New Laurel Review'', ''Xavier Review'', ''Koja'', ''Black October'', ''The Small Press Review'', ''Boston Literary Review (BluR)'', ''Masthead'', ''The World Healing Book'' (a 9/11 anthology from Iceland), ''Fell Swoop'', Appearances, "A Shout in the Street" (as Allen Ginsberg's B-side), the ''Tulane Literary Review'', The Chronicle of the Louisiana Endowment for the Humanities, "Scrambled Eggs", ''Timbuktu'', ''Contemporary Jewish-American Dramatists and Poets'' (Greenwood Press), ''Spidertangle: The Book'' (by Miekal And), "Gallerichickenscratch", ''American Poetry'' (by Igor Satanovsky), ''Magazinnik'' (in Russian translation), ''Vozdukh'' (in Russian translation), the ''Contemporary Review'', "xStream", ''Here and Now'' (Boston Public Radio), ''E·ratio'', ''Moria'', ''Turntable and Blue Light'', the ''Istanbul Literary Review'', ''Caietele Internaţionale de Poezie'' (International Notebook of Poetry; in Romanian translation), ''Origini'' (pub. LiterArt XXI, sponsored by the International Association of Romanian Writers and Artists, Inc.), ''The June 30 Manifesto'' (ed. John M. Bennett and Scott Helmes; Luna Bisonte Prods), ''Black Zinnias'' (sponsored by the California Institute of Arts and Letters), "The Best of Generator Press" (CD-ROM), ''Le Cirque: The Soundtrack'' (audio CD), ''Fieralingue'' (Italian journal of arts and letters), the Durban-Segnini Gallery (Miami, FL), Gallery 324 (Cleveland, OH), Tacheles (Berlin), the Fort Worth Art Center (Fort Worth, TX), and other venues. In Manhattan he has performed at the Poetry Project, Ear Inn, the Knitting Factory, the Bowery Club, KGB, and similar venues. In addition, and often in conjunction with the eclectic concert event, ''Cirque du Singe Brisé'', he performs in cities and at universities throughout the USA northeast. Along with Igor Satanovsky, Julia Solis, Bill Keith, Richard Kostelanetz, and a growing list of experimental Russian language writers, William James Austin publishes with Koja Press which has been featured in a ''New York Times'' article, on BBC News, and on NTV. In his youth, Austin was signed to Wes Farrell's Pocket Full of Tunes as a songwriter. He composed music and lyrics for Lou Rawls, the fusion group, Hammer, a television sitcom, and other rock and jazz artists, as well as serving as backup band leader and lead guitarist for the Capris. He also performed at the Cafe Bizarre, the Bitter End, and similar Greenwich Village venues. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「William James Austin」の詳細全文を読む スポンサード リンク
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